2012年11月30日星期五
MAGICAL REALISM
Libbie J. Masterson, Interim Exhibitions Coordinator, HCP
Magical Realism in Photography is a collection of photographs that bring to mind the mysterious and beautiful aesthetic found in Latin
American Magical Realism。The term “Magic Realism” began as a reference to the post-expressionist painters of the Weimer Republic. German art critic Franz Roh coined the term in the 1920s, describing the smooth photographic qualities of the painters Otto Dix, Max Ernst, and George Grosz. Closely related to Surrealists, who dealt with more psychological landscapes, the Magic Realists were noted for depicting a scene that would be considered to be super-normal, in a way that makes it seem completely normal.
2012年11月28日星期三
2012年11月25日星期日
Realism and reprensatation
Question: how to represented the reality in art form . such as animation ,still image design. how to make the closing feeling to any apart of reality in art form.
these japanese graphic novel style animation maynot pefect in art , but they are really get the closing feeling of reality , any part of reality.
it maybe emotional realism.
2012年11月18日星期日
CYBERSPACE AND THE RELEVANT
CHINA DIGITAL MUSEUM
IT IS VERY GOOD EXAMPLE WHICH RELEVANT TO MY COURSE (MEDIA DISCOURSE),AND MY ART WORK ALSO BE SELECTED INTO IT .
http://www.etdam.com/a/zhan/20120927/218.html
FROM THE WEBSITE:
create the digital museum domain-specific ontology as the main research aim face the 3D Internet & Intelligent Terminal, Development on interactive environment, UE etc aspect, Introduces the key technology required for agent-based architecture of digital museum, Through the Interdisciplinary research method & System science method, put forward how to develop a subject domain ontology, and based on the focus of professional of art exhibition to deep analysis the ontology construction for digital museum; in addition this paper use an empirical research approach, Analyzes the methodology of happening and aesthetic mechanism of orientated the virtual art world, Put forward the visual information integration system and case on 3D Internet & Intelligent Terminal.
2012年11月8日星期四
Synesthesia
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A VIDEO INSPIRED BY Synesthesia.
syn·es·the·sia syn·aes·the·sia (sĭn’ĭs-thē’zhə)
n.
A condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces the visualization of a color.
A sensation felt in one part of the body as a result of stimulus applied to another, as in referred pain.
The description of one kind of sense impression by using words that normally describe another.
FROM WEB: http://createdigitalmusic.com/2012/06/synesthesia-beautiful-surreal-short-film-imagines-sound-across-senses/
A VIDEO INSPIRED BY Synesthesia.
syn·es·the·sia syn·aes·the·sia (sĭn’ĭs-thē’zhə)
n.
A condition in which one type of stimulation evokes the sensation of another, as when the hearing of a sound produces the visualization of a color.
A sensation felt in one part of the body as a result of stimulus applied to another, as in referred pain.
The description of one kind of sense impression by using words that normally describe another.
FROM WEB: http://createdigitalmusic.com/2012/06/synesthesia-beautiful-surreal-short-film-imagines-sound-across-senses/
connecting visuals to sound. We worked with pen and paper, with patching (in Pd), with code (in Processing), and via a survey of some interesting recent work, in this case all connected to drawing. A theme of the conference had been “synesthesia.” But it’s important to note that synesthesia goes beyond just making music visual. It deals with people actually having a sensory experience in which one input (like sound) triggers a different sense (like smell or color). Sure enough, someone who attended had a student who experiences quite strongly that nonvoluntary reaction.
This short film explores the extreme, visceral connection that cross-sensory sensation can produce.
Clinical sensory phenomena aside, the surreal and strange world that emerges is to me a perfect metaphor for all the symbols we use for music and sound, for all the (wonderfully) bizarre feelings that arise as you try to grasp something as unseen and fleeting as music and musical emotion with your brain. It’s long hours in the studio trying to understand what you’re doing, it’s the user interface for computer software, it’s notation. It’s, in a word, impossible.
And basslines are definitely cats.
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THE IMAGES BLOW IS POSTS FROM THE FILM Synesthesia. I AM EXPLORING THE FUNCTION OF ABSTRACT IMAGE PRESENT HUMAN DEPTH PSYCHOLOGY , FOR INSTANCE , THE LOMO TYPE IMAGE CAN PRESENT MORE PRIVATE MENTAL STATEMENT, THAT KIND OF THING.
finally, I think it is a moving film.
2012年11月7日星期三
Project 03 feed back
Project 03
Feedback: The camera movement is not gentle, Martin helped me fixed it with curve later. The haze need change opacity when camera cross. The second one need doing the background builds in 3d space.But the light is good. The third one need blur the plane,to make a kind of distance. Maybe make it in 3d space as well.the last one is good, the lighting on character may need adjust effect with the back traffic lighting.
2012年11月2日星期五
Abstract line using ----show more depth psychology
An short animation form Royal College of Art .
I like the line art direction, and the event it picked which was about kill and crime.and alone . the bad part of humanity.
I got real feeling of pain, evil, and out of control from the character face. and the helpless world , cold environment.
and this image is the development process of bug bunny.
I know some rules about information delivery. for human perception , they get the information in different categories。 When they get something havenot seen before, their mind become opened for it.(new media works in this way) in the bug bunny example, the first generation looks like any bunny,even not.And it allows perception open. But the last generation, is the most specific,it less magnification, it is the famous one.
Simply speaking, abstract and iconic character , aesthetics helps animator to present a more thinking , depth feeling for audience.
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